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NOVA-Antiques is the Mid Atlantic website for all things antique and collectible. Our website features antique & collectibles dealers, shops & malls; Flea Market Directory & Reviews; Monthly Antiques Show Calendar; Estate & Tag Sales Page; and our NOVA-Antiques Newsletter, which contains news, articles and information about the antiques & collectibles market. NOVA-Antiques Blog is an extension of our Newsletters.
I have written about how only dumb thieves steal art in the past but it their just doesn’t seem to be a shortage of dumb crooks in this world. The fact that artwork is recognizable, identifiable or harder to sell than other things does not stop those with a low IQ and the irrational thought that they could make quick money. Now police in Los Angeles are offering a reward and looking for the person or people that were dumb enough to steal a cache of specialized artwork that included paintings by Gorky, Soutine, Chagall and Diego Rivera. Experts have said that some of the paintings are worth more than $4 million.
The owners of the stolen art cache were in another part of the house when this theft occurred and police speculate that the thieves must have worked very quickly to remove the paintings by a side door. They also believe that the thieves may have been familiar with the couple’s routine. The sophistication and the smartness of the art thieves themselves will be evident when, not if, the artwork is recovered. The artwork will be recovered either at a flea market or when someone tries to sell it in Europe ten years from now. The authorities have contacted all of the major auction houses, show promoters, art dealers and others to be on the lookout for the paintings. A $200,000 reward has been offered.
Lucien Freud paintings have been bringing in record auction prices for the past couple of years. Christie’s in London is reporting that this trend will probably continue on October 19, 2008 when Freud’s portrait of Sir Francis Bacon goes on the auction block. The unfinished painting, which he painted in 1956, is expected to bring in more than $12 million. This is one of two paintings that Lucien painted of his friend Bacon, the first painting has been missing with its whereabouts unknown. Pilar Ordovas, head of contemporary art at Christie’s was recently quoted by Reuters Life! Saying, “Lucien Freud and Francis Bacon are widely considered to be the most important British artists of the 20th Century.”
Lucien Freud was born in Berlin, Germany in 1922 to Ernst and Lucie. Lucien is the grandson of renowned psychiatrist Sigmund Freud, who founded the Psychoanalytic School of Psychology. In 1933, Lucien’s family moved to England. He studied at the Central School of Art in London, East Anglican School of Painting and Drawing and Goldsmiths College at the University of London. Early in his carrier, Freud was associated with the surrealist movement but in the 1950’s turned to portraits, many of them nudes as he tried to capture a subjects history and sensuality in his brushstrokes. In May of 2008 his nude portrait of friend and model Sue Tilley titled Benefits Supervisor Sleeping sold at Christie’s for $33.6 million and set the record for a living artist.
It’s not a Goya, a Rembrandt, a Da Vinci or even Monet or Van Gogh. The correct answer is No. 5, 1948 and if you were playing the game show Jeopardy on television, which is one of my favorite shows, the question would be, “What is the world’s most expensive painting?” The painting, which looks like a bunch of drips on a canvas, was reportedly sold for $140 in a private deal brokered by Sotheby’s. According to published reports previous owner and entertainment mogul David Geffen sold the painting to Mexican financier David Martinez in November of 2006. So who exactly is Jackson Pollock?
Jackson Pollock who was born in Cody, Wyoming in 1912 was an abstract impressionist painter that some experts consider one of the most influential painters of the 20th Century. Pollock was married to Lee Krasner, herself a painter, and they moved New York in 1945. Their house in Long Island had a large barn on the premises that they turned into a studio. Soon after, Pollock started laying his canvases on the barn floor and began perfecting his “drip” technique. He experimented and tried many ways of dripping paint onto the canvas including using syringes, wooden sticks and just plain old pouring out of the can.
He numbered his paintings as opposed to naming them because he wanted people to use their imaginations as to what they saw and not be influenced by the artist interpretations. Some people have read too much into his art and have come to a decision that on some plain, Pollock used “mathematical” skills to build his paintings with “fractals,” whatever that means. It has been reported that Pollock was an alcoholic and looking at his paintings, I believe that the artist was just a little drunk, inspired and had fun. It is said the Pollock was influenced by sand paintings done by Native American people as well as David Alfaro Siqueiros, a Mexican muralist. Sadly, Pollock was killed in a single car crash in New York in 1956.
Santos de palo, or saints carved from wood, originated in Spain in the 1500’s. This folk art tradition was then brought to the Spanish colonies by explorers and people who immigrated into these lands, including Puerto Rico, which later became a U.S. territory. Associated with Christianity and Catholicism, the Santos were normally placed on an altar inside the home, where the family usually gathered for prayer. It was believed that the saints resided in the wooden carvings and thus would hear the people’s prayer. The Santos would then act as the intermediaries and communicate with God on behalf of the people saying the prayers. I can attest to this as my dear mother would always pray to San Judas Tadeo, Saint Jude Thaddeaus, in times of distress or when she wanted to keep our family away from trouble.
Santos in Puerto Rico are a four century folk art tradition. They were carved by artists known as a Santero and usually varied in style and design as well as dimensions. The style and design of the Santos were different depending on when they were made and where they were made. Primitive Santos are not as polished and clean as the colonial types of Santos. Some Santeros preferred to leave their Santos in a natural state to show the wood, others preferred to paint their pieces. My grandfather, Marcelino, was a Santero and he is said to have specialized in Los Tres Reyes Mago a Caballo, The Three Wise Men on Horseback (Three Kings). It is said by many that the Santero was inspired by a higher power and that it was not just a hobby or profession, I can confirm this as well as my grandfather was a spiritual man who truly had a higher calling.
Santos de palo are very collectible in every form and recently there has been a surge in their popularity as more and more Puerto Ricans are getting touch with their roots and their culture. In addition, art collectors are realizing the importance of this folk art form and it significance to the overall American culture that Puerto Ricans are now a large part of. A lot of people are also researching their roots as I have been doing and have found Santeros as ancestors as I have done. Unfortunately, most of the original antique and collectible Santos were unsigned by the Santero and can be difficult to authenticate them as genuine. However, in the past couple of years, El Museo de Los Santos in San Juan has been doing research and cataloging many of the specimens that they have found.
Pictured on the right is a picture of San Judas Tadeo, carved by Rubén Acevedo Méndez of Aguada, Puerto Rico. Rubén is one of the few young artists that remain true to their culture and is continuing to preserve the tradition of the Santero. This particular piece was made for Pope John Paul II and now resides in the Vatican, Rome.
Charles Russell (1864-1926) was born in Missouri but found his way to Great Falls, Montana, which he adopted as his home and lived in for over 46 years. One of the greatest artists and sculptures of the American west, had humble beginnings working on a sheep ranch at the age of 16. His interest in the west, history and the outdoors along with his awareness of his environment gave him the ability to capture western landscapes, cowboys, and Indians in perfectly flowing colors, lines and exquisite detail.
Russell produced over 2000 works in his lifetime featuring his favorite subjects including paintings and sculptures. In 1926, Trails Plowed Under, a collection of his short stories were also published. Recently two of his artworks brought in more than $9 million at auction. The holdup, a painting by Charles Russell, showing a stagecoach being held up, sold for $5.2 million at the Coeur d’Alene Art Auction in Reno, Nevada. A bronze, Meat for Wild Men, depicting Native Americans on a buffalo hunt brought in more than $4.1 million.
The Charles M. Russell National Wildlife Refuge, 1,100,000 acres in north central Montana were named after this artist and includes native prairies, river bottoms and badlands. In addition, a lot of his artwork is on display at the C.M. Russell Museum, “A place where the old west is still alive.” The museum is located in Great Falls, Montana.
I was reminiscing the other day about being a kid and not having a care in the world and playing with my toys. One such toy I remember getting one Christmas from my Aunt Lucy in New Jersey was an Etch a Sketch. I remember playing with that toy for hours, trying to “draw” animals and cars and such. The catch to this toy was that you had to be creative, because it was not like drawing on paper where you could lift your pencil; you had to draw with one continuous line. This is a difficult process at best, unless your name is George Vlosich III.
Mr. Vlosich has taken Etch a Sketch drawing to a higher level and it all started in 1989 when on a trip to Washington D.C., he started drawing the U.S. Capitol on his Etch a Sketch. He has now been perfecting his method of art and has been featured on many television programs to include, Inside Edition and American Journal as well on many news programs on all the major networks. He has created portraits of many different celebrities to include, President Clinton, Elvis Presley and the cast of the Andy Griffith Show. His works, which can take anywhere from 50 to 70 hours to produce, are just unbelievable. Click on the picture above to view his amazing work . . . .NOVA-Antiques Newsletter Archive December 1, 2005 . . . .
Georgia O’Keefe (1887 – 1986) has been a major American artist since the 1920’s and her name has become as recognizable as other notable artists such as Rockwell, Warhol and Adams. Her claim to fame are the abstract representations of the American southwest and her paintings contain every imaginable subject from rocks and shells to flowers, architecture and landscapes. Many people agree that her vision and inspiration used in combination with masterful strokes of subtle hues is what have made her the greatest American woman artist of the century. She was married to master photographer, Alfred Stieglitz. Georgia O’Keefe’s art is something that we should all experience at some point in our life and the good thing is that you can view her artwork in many places in the United States.
The Georgia O’Keefe Museum located in Santa Fe, New Mexico is probably the best place to get the full effect of her great artwork. It is steward to over fifty percent of all her collection. The museum website also has slideshows of many of her works, which is as close as I will probably ever get to the southwest. Closer to home and an exhibition that I am sure to attend, “Georgia O’Keefe and Ansel Adams: American Affinities” will be at the Smithsonian American Art Museum from September 26 through January 4, 2009. This exhibit will also travel to the Museum of Modern Art in San Francisco. In addition, “Georgia O’Keefe and the Camera: The Art of Identity” is currently on exhibit at the Portland Maine Museum of Art.